About Io, 2009

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About Iona Miller in 2009

“The job of the artist is always to deepen the mystery.” ~Francis Bacon
"We all know that art is not the truth, art is a lie that makes us realize the truth." ~Picasso
FREE RADICAL: Iona Miller, consultant and transdisciplinarian, is a nonfiction writer for the academic and popular press, hypnotherapist (ACHE) and multimedia artist. Her work is an omnisensory fusion of sacred activism, intelligence reform, esoterics, science-art, chaos theory, plenum physics, and emergent paradigm shift melding experiential psychotherapy, new physics, biophysics, resonant space, philosophy, cosmology, healing, creativity, qabalah, magick, paranormal, media ecology, mind control, paramedia, metaphysics, and culture change.

CHANGE AGENT: Rather than having an interest in specific doctrines, she is interested in the EFFECTS of doctrines from religion, science, psychology, politics and the arts. Our beliefs are the moldable raw material of the psyche, manipulated by governments, media and culture. How do we become what we are and how is that process changing in the near future?



Performance artist and spywhisperer, Ms. Miller is published by Phanes Press, Destiny Books (Inner Traditions), Autonomedia, Nexus Magazine, Dream Network, PM&E, Journal of Nonlocality and Remote Mental Interactions (JNLRMI), Chaosophy Journal, OAK, DNA Monthly, Pop Occulture, Schiffer, Bolero, Science-Art Research Centre, and more. She is a Gaia.com Ambassador and serves on the Board of Medigrace.org nonprofit organization. Recent print articles include Alchemy Journal Vol. 10 No.1, Mar 09 (Australia), Paranoia zine #44, #46, #49, #50 (USA), HunterGatheress Journal, Vol. I and Vol. II, JNLRMI (Russia), Der Golem (Germany), Antibiothis I and III (Portugal), The Art of Fetish (Miami), and Journal of Interdisciplinary Crossroads (India). Her artwork has shown in Miami, Phoenix, New York, in magazines and more. Appearances include "21st Century Radio," "Untamed Dimensions," "Reality Portal," " Digital Long Island," "The Ascending Way," etc.

Subjects include:

Synergetic Qabalah
Holistic Qabalah
Kabbalah Luminata
Chaos Magic
Photonic Human
Sacred Geometry
The Modern Alchemist book
Magical Perfume book

Chaosophy Journals
Mythic Living
Modern Alchemist book
Edgeworks Hypnosis

Nonlocal Healing
Emergent Healing
Heartstrings book

Digital Universe
Io Art 2006 Updates & Photo Links
The Lux Artillery book
Kabbalah Luminata
Sacred Geometry

Zero-Point Physics
Virtual Physics
Mind Control
Photonic Human
PSI-ber Kult
Future Science
Chaosophy Journals
Mind Control
Media Ecology


“And take upon's the mystery of things,
As if we were God's spies
.” --King Lear

I guess I couldn't decide what to be when I grew up, so I chose All of the Above and became a TRANSDISCIPLINARIAN. I was inspired by Buckminster Fuller to be a generalist in natural philosophy, rather than a specialist.

Each of us is our own greatest creation, a frameless work of art. What doesn’t inspire the artistic eye that doesn’t merely “look at”, but “sees through” to the imaginal depth of any given perception or experience? The soul informs the multisensory experience of being. Inspiration means life, the opposite of death: purpose, direction, meaning, ecstasy, creativity.


 I'm a polymath and artist, but my medium tends to drift from psychotherapy and healing, to cutting edge science, and bleeding edge art. My interests flow from sacred geometry fine art to psychotronic technoshamanism, to ephemeral and online performance art. I write extensively on healing practices, advances in science, and the artistic and spiritual experience. Once in a while an angel visits with a brilliant idea that flows through with blissful fluency.

My expertise is in creativity and extraordinary human development. For good or evil, I am a creative geyser. In past decades I have fallen in love with painting and collage, magick, archetypal and transpersonal psychology, hypnotherapy, subquantum physics, consciousness studies, multimedia, intelligence and chaos theory. I can't "marry" any theory, since there is no consensus in physics or consciousness studies, though I argue many points of view.

Still, I've always remained faithful to my main interest: the interface of psyche and matter ~ that point where psyche matters. As in chaos theory, all the creative action is at the boundary of any field, the creative threshold, the leading edge. It is in finding meaning and expressing that meaning that we exalt our humanity in our individuation. We don't actually change but our experience of reality does and this experience is largely outside of our "conscious" grasp. This is one source of the value and meaning of art, at least challenging art that goes beyond the boundaries of the frame and sofa wall. MAKE ART, NOT WAR.

-Io "Spooky" Miller

Insight, Intuition, Self-Knowledge, Creativity

SCIENCE has made the Quantum Leap; ART has Jumped the Canvas in New Media; and HEALING has gone nonlocal with Virtual and Distance Healing.

By the time the Internet came on the scene, I already had a huge backlog of metaphysical, scientific, mythological, and therapeutic articles and fine arts graphics to share with the world. Out of the closet and into the digital archive they went at The Ionasphere, Synergetic Qabala and Asklepia. Since then I've continued building my webpresence, collaborating and publishing in a variety of venues, popular, artistic and scientific.

With the advent of the digital revolution art has jumped off the walls and into life. No longer is print art the preferred medium, as even in Soho permanent projector installations allow artists to display their art without the typical problems of shipping and receiving. Art without frames comes in a variety of multimedia formats.

When technology allowed cable tv to move from 12 channels to hundreds, the age of public access television became possible. In the '70s Sony produced inexpensive, portable video recorders, the PortaPack. Inspired by guerrilla theatre, people started seeing the possibilities of moving television out of corporate control.

Guerrilla TV has leapt forward to podcasting, producing our own radio shows with the help of mp3 players. We now have new video podcasting, iTunes selling tv reruns, TiVo to go, etc, for video distribution. Video can even be shot with a cellphone or any of the millions of digital cameras sold this past year. So there is an explosion of video production like what happened in the Guerrilla television days.

Art has jumped the canvas even further into real life modalities beyond our former concepts of performance art. Life itself becomes the artful act on an ongoing basis. The body and oeuvre are only spheres of influence that extend further and further from the realm of actual exhibition.

Artists are the chaotic attractors of the social field. While conventional artists may enjoy great favor, the ‘strange attractors,’ including leading edge and extreme artists have a special role as catalysts in contemporary life. Artists have always drawn others beyond the limits of their ordinary awareness, confronting them with another reality, initiating them into a world of profound meaning without conventional boundaries.

The beginning of the history of modern man traces back to primordial art, such as that found in the Paleolithic caves of Lascaux. From the beginning, art spoke of magic, of the supernatural, of imagination: the fantastic and disturbing. Always strong in content and aesthetic sophistication, it grew, hand in glove, with the emergence of technological skills.

The emergence of art was and continues to be an unparalleled innovation, confronting our psyches with a giant leap in human evolution whose transformative influence continues opening and exploring brave new worlds to this day. Art has been a driving force and living thread woven into the fabric of society since modern man emerged.

‘Homo Negentrop’

Originally, artists were shamans, healers, and magicians. Their art revealed the compelling dreamscape of primal man, his beliefs about himself, this world, life and death, and hope for an afterlife. We might poetically call them the first negentropic humans, Homo Negentrop. Some might argue ironically that artists are a ‘species’ of their own. Unarguably, they created order and meaning from the chaos of existential life.

Throughout history the insightful vision of artists expressing in symbolic form the ‘as-yet-unknown’ (Jung) has been at the cutting edge of social change. It preceded rational and intellectual social ordering. Artists intuitively extract the gold of their unique vision from creative chaos and manifest it for others to see. Their mediums vary from graphic and print modes, to performance art, ritual, body art, film, and even more arcane forms.

Chaos theory has its ‘strange attractors’ that never settle down into any normal rhythm. The strange attractor dances to the innovative beat of a different drummer. Artists, particularly edge artists, function much like these chaotic attractors whose boundaries are deterministic yet unpredictable. They draw from beyond the personality, from transpersonal resources, and the wellspring of the collective human unconscious.

One doesn’t have a Muse; one serves one’s Muse. She comes and goes. In a sense, the artist is ‘ridden’ by the creative daemon that possesses him or her. That daemon, according to Socrates is one’s genius, a compelling force urging us to create.

Passion (drive) and pathos are reflected in the fact that if this daemon isn’t served, the artist can even become physically ill. Images, ideas and inspirations cry out to become manifested. Order or form yearns to be born from chaos; and those very acts of creation breed destruction of old systems.

The artistic life is a chaotic arc of inspiration upon inspiration, following the Muse. Artists walk what for others is ‘the road not taken’ (chaos theory’s bifurcation or forking), sometimes going ‘where angels fear to tread.’ Their charismatic influence pulls others into their orbits, and the small effect of one personality potentially spreads its influence over the world (butterfly effect), sometimes over history. The history of art is one of the richest threads of our cultural heritage.

Artists wriggle among many possibilities before settling into a project. We might take poetic license calling artists ‘beautiful attractors’ (Wildman, 2004). The notion of a beautiful attractor draws on the dynamics of synergy. The power distribution of the artistic community is aimed at mutual aid and learning, much like the healing community. Sometimes artists even engage in deliberate public psychotherapy, impacting their immediate communities.

Artists magnetically draw the attention of others to their creations, to their vision, into the imagination, into the collective future. We might think of them as the ‘indicator species’ of the social ecology, the evolving cultural landscape. Orbiting far from the norm, they provide a negentropic counter-balance, an evolutionary burst, social innovation -- to conservative forms and institutions, which tend to ossify leading to stasis and decay.

Mana is personal power, also known as chi, prana, animal magnetism, or kundalini. Mana initiates the transformative process in individuals and society. Many artists have magnetic personalities. Exhibiting sensitivity to a certain kind of universal guidance, their influence emanates from their sphere of potentiality through synchronicity and serendipity, stimulating catharsis or breakthrough in others.

The effect is moreso when a movement or school of artistic expression is involved (complex feedback loops) as the reality morphing effect increases exponentially. Artists reflect and influence one another. Arguably, artists demonstrate where society may be heading. They haunt the psychic and perceptual frontiers, drawing the future into the now. How many cultural revolutions have begun in artists’ communities?

Art changes the way people perceive reality, how they see life and their place in it. These negentropic innovations become embedded in social structure. Realizations, insight, empathy are implicit. They show us windows of prescient emotions and impulses, their unframed works rending the veil of the human unconscious.

The Artistic Field of Influence

‘We expect artists as well as scientists to be forward-looking, to fly in the face of what is established, and to create not what is acceptable but what will become acceptable . . . a theory is the creation of unity in what is diverse by the discovery of unexpected likenesses. In all of them innovation is pictured as an act of imagination, a seeing of what others do not see . . . “creative observation.” (Bronowski, 1958).

Artists, along with the other innovators, scientists and entrepreneurs, constitute only 1% of the population. We can imagine them at the top of a pyramid of influence, which trickles down to the most solidified or familial and industrial levels of society (see Appendix; Wildman, Table 1). This is clearly less true for the representational artist whose work is without symbolic value, and rather than progressive or transgressive is merely decorative or aesthetic.

Today, science and art aren’t as polarized in their aims as we might think. They are perennial venues for the emergence of discovery, invention, and creation. The argument is that although science and art are social phenomena, an innovation in either field occurs only when a single mind perceives in disorder a deep new unity. Like art, science is an attempt to control our surroundings by entering into them and understanding them from the inside.

“Scientists search for a ‘real’ and hidden, internal visibility (invisible to the naked eye) which will confirm the limits of identity. . .This is an act of limitation which inverts its own criteria by relying on a ‘depth’ model of identity, which is invisible, but gives visibility through microscopic magnification. Yet this search for an invisible core of identity remains open to a visible transgression via artists who are constantly exposing these new certainties as constructs.” (Sargeant, 1999).

The objective and subjective mode are not divorced from one another, anymore than the left and right hemispheres of the brain. Science adapted the artist’s sense that the detail of nature is significant. Like yin and yang, they rely on one another in a dynamic meld that lies beyond the dialectic in the tension of opposites.

Thus, the metaphors of science have gained increasing relevance in the artworld. Art and science begin as imaginative speculation that guesses at a unity or gestalt. Metaphors reflect universal or holistic references and processes, connecting concepts across disciplines.

Gregory Bateson calls metaphor Nature’s language. There is aesthetic pleasure in finding likenesses between things once thought unalike. It gives a sense of richness and understanding. The creative mind looks for unexpected likenesses, through engagement of the whole person.

We can draw from the organic metaphors of quantum physics, field theory, and chaos theory to illuminate the state of the arts. Physics describes the interrelationship of chaos and order as field relationships, while chaos theory describes nature’s own methods of creation and self-assembly. Entropy is the tendency for any closed part of the universe to expand at the expense of order. It is a measure of randomness and disorder -- chaos.

Negentropy is the generative force of the universe. Negentropy (emergent order from chaos) is a nonlinear higher order system, a dynamically creative ordering information. Thinking, science, and art are therefore negentropic.

Negentropy, like art, is ‘in-form-ative.’ It is related to mutual information exchange. Information is embodied in the fractal nature of imagery and symbols, which compress the informational content of the whole. Creativity is an emergent phenomenon patterned by strange attractors, which govern the complexity of information in dynamic flow.

Negentropy is implicated in the successful development of science, economics, technology, infoscience, and art. Negentropy is the degree of order, or function of a state. It relates to the organization of societies, including subcultures such as the artworld, determining the quantity and quality of creative work

That which was formerly unmanifest comes into being. Negentropy governs the spontaneous transmission and direction of flow of information among systems. The qualities of that information are timeless. It is synergistic in that what was formerly unconnected becomes so, creating something wholly optimal and new or futuristic. In the 1920s, Hungarian scientist, Albert Szent-Gyorgyi coined the term syntropy for ‘negative entropy.’

In cybernetics, a meaningful interpretation of negentropy is a measurement of the complexity of a physical structure in which quantities of energy are invested, e.g., buildings, works, technical devices, and organisms which become more complex by feeding not on energy but on negentropy. Art facilitates negentropy by expanding our general field of experience. Negentropy facilitates artistic realization by creating something from nothing.

The creative act is one of uniting the unmanifest with the manifest world in a meaningful, often symbolic, way. Such conception is relevant to consciousness, organization, structure, faith, subconsciousness, emotion, even spirituality. Above all, creativity means trusting the process. Investigation of the negentropic criterion helps us move toward a truly transdisciplinary doctrine for the artistic field of influence.

The two worlds of science and art have married in the digital revolution. Art has from the beginning required a certain amount of technical expertise, the ability to create and use technology in its execution. Only the means and their complexity have changed, evolving over the years, culminating now in a revolution based on ‘ars electronica’: the electronic arts. 

The History or Story Behind My Site


10/09 Paranoia moves from zine to journal format and Io will be there on Biowarfare.

4/09 - Paranoia Magazine #50, "DUNE MEME: Is Earth Becoming a Dune Planet?" (USA) [available now]

5/09 - Alchemy Journal, Vol. 10 No. 1, "Anima Mundi: Soul of the World" (Australia) [available now]

The Alchemy Journal is published by Salamander and Sons for the International Alchemy Guild. Current issue of the Journal (Vol.10 No.1), themed the ALCHEMICAL FEMININE. The issue features Gudni Gudnasson, Abigail McBride, Dr. Bruce Fisher, Iona Miller, Steve Kalec, Michael Pearce, Karen Bartlett, Dr. Theresa Ibis, Tamara Nikolic and Jay Hochberg, Rubaphilos Salfluĕre, Andrew Minkin, Dennis William Hauck, Darcy Kuntz, Mike Ridpath, Alexander Price, and Jeannie Radcliffe, among others, and will be available shortly.

Bleeding Edge - Antibothis Occulture Journal, Vol. III, (Portugal) "Manifest Destiny Manifesto" (Iona also appeared in Vol.I)

Forthcoming issues of ANTIBOTHIS will feature texts/interviews from/with : John Zerzan, Joe Ambrose, Ray Kurzweill, Earth First, Stewart Home, Z..ev, Aki Nawaz (Fun-Da-Mental) , Terre Thaemlitz, Crimethinc, Nigel Ayers (nocturnal emissions), Lob, Monochron (vienna art group), B-Eden (pyromania arts, ex:psychic warriors ov gaia), Aragorn 23, Tactical Art Coalition, FoolishPeople, Randall Pike, Tom McCarthy, Ewen Chardronnet, Transnational Republic, SocialFiction, Iona Miller, Chad Hensley, Adi Newton (Clock Dva), Robin Rimbaud ( Scanner ), among many others.

“The job of the artist is always to deepen the mystery.” ~Francis Bacon

Your Zero Point

Your Zero Point. Physics has broken our entropic chains with negentropic models of Zero Point Energy, the Plenum of subspace. Negentropy is the generative force of the universe. Syntropy is an even better name for it. We have a direct connection with creative Source; we are That. The basis of our technology is moving from a mechanistic to a negentropic paradigm. The most important thing happening today is a metamorphosis of human life: hyperchange, the cybernetic revolution, the biotech revolution.


SMART TECH: Business as usual is nonsustainable and cannot continue unchecked. We need a Plan B for human survival. Negentropy is arguably our greatest hope for a sustainable future rooted in HUMAN SURVIVAL TECHNOLOGIES, which doesn't mean that "technology will save us". It both creates and solves problems. Unique physics governs matter at the nanoscale. Soon "reality chips" will put themselves and us together and culture will be revolutionized. Bioart, tweeking genetics and physical structure, is the medium of the 21st century -- 3-dimensional designing and engineering of new bodies and environments. Probably more than a million people living today were conceived in petri dishes. Bioart is an aesthetic response to biotechnology (meta-biology). We are in a transhuman transition era we call the Information Age. Direct Brain Interface is coming soon. Quantum dots can already merge with nerves. Information is more fundamental than matter, controlling and patterning randomness; it makes matter matter.

CULTURE: We are heading toward an Age of Wonder, including synthetic or virtual worlds which will supercede the real world in many ways. Synthetic reality will compete for our attention. Supertrends shape the future: technological progress, economic growth, improving health, increasing mobility, environmental decline and global warming, and increasing culture shock. Physics has jumped its classical boundaries, making a quantum leap from the domain of matter/energy to the more fundamental scale of the vacuum potential underlying field phenomena. We now consider our fundamental nature not only through biochemistry but through our energy body, living our wave-nature as well as particle-nature. The biophysical role of underlying EM fields can be demonstrated in energy medicine, quantum mechanics and field theory. The energy body is our fundamental nature. Our consciousness has jumped out of our meatbody through technological extension; we've gone global. An analogous creative current informs ART that jumps the canvas into digital multimedia, including webart. HEALING has jumped the consulting room into nonlocality and virtuality as global distance becomes a less and less meaningful barrier.

FUTURESHOCK: The next technologies are those of the infinitely small: nanotech, photonics, smart technology, and cold fusion. Psionics will revolutionize culture with both new means of mind control and self-regulation: Electromagic, Yogatronics. Currently, we access computers manually, but soon we will have direct neural interface which will create a form of synethetic telepathy among those with the hook up. Eventually, our machines will share our organic substance and nature. DNA is a versatile component for nano devices and and structures. There are non-biological uses for DNA such as computing devices. DNA is an ideal molecule for building nano-structures that hold molecule-sized electronic devices or hosting crystalline molecules. We will move from silicon circuits toward organic biochips. We are already fusing with our technology as it moves into our bodies. We are becoming cyborgs as tech moves into our bodies for support, repair and enhancement. http://emergentmind.org

CULTURAL ENGINEERING: We will morph from Cyber-culture to PSI-ber Culture, with challenges humanity has never faced. We may not even be "humanity," but trans-human moving toward a post-human hybrid of high tech and tissue as communication and computing technologies amplify. We already have voluntary and synthetic telepathy. The advent of the cellular camera/phone means we are never alone, and always accountable, and surveilled on GPS. Now cellular is beginning to provide mindless entertainment on tiny TV with expanded content. In the global era, there is no more first-person singular. "They" are inside your head and potentially watching and conditioning your every move. http://mindcontrol.chaosmagic.com

SELF-REGULATION: Our lives are allegedly getting better, but often we feel worse. Chaos is palpable; stress the universal constant. The antidote to futuresock, groupthink, to political and media mind control is self-regulation. Madison Ave. developed semantic infiltration to manipulate our tastes, desires and fear through market research. We have to overcome our personal traps and organizational or cultural traps, to see the Big Picture. Only once we "spring the trap" can we use metaphors to free our minds. Creative physics leads to a new paradigm for human survival technology, beyond our wornout mechanistic worldview. New media creates the environments of the future, the cultural ground. The "doors of perception" between Reality and the Imaginal are sprung wide open. Immersive Virtualities will soon make "real fantasy" possible.

PARAPHYSICS: Next-generation technologies that make reading DNA fast, cheap and widely accessible are coming in less than a decade. Quantum wave genetics will soon after manipulate the root of our being with acoustic holography, a form of cymatics creating morphogenetic formative change with light and sound, holographic projection. Rooted in the quantum nature of Cosmos, we are Photonic Humans: Homo Lumen, holistically aware of and cultivating our energy and Light Bodies. Art is Magic and Magic is Art. At the creative edge of chaos, it is we ourselves who are living embodiments of negentropic flow, if we live from that connective Source, from that Essence. This is the true nature of Manifestation.

QUANTUM BONDAGE: According to quantum mechanics and consciousness studies, we are essentially "embodied, embedded, entangled and bound." Consciousness studies are concerned with the "hard problem" and "binding problem". How can we create an objective science with a purely subjective consciousness? How does a unified consciousness arise from from the distributed activity of quanta, neurons, brain and CNS? How do perceptions and pure awareness combine into unified experience? It sounds like Quantum Bondage! http://biophysics.50megs.com

SPIRITUALITY: Qabalah is the art of becoming more fully human. Kabbalah presents spiritual correlates for emanation and material bondage of light and the soul with a spiritual technology for reconnecting to Source: "one magical movement, from Kether to Malkuth". The word "religion" comes from "religio", meaning to bind back in a sort of recursive manner. What ties our spirit to our body? What binds our consciousness to the fabric of reality? The knower and the known are mutually entangled. The Tree of Life is a map of consciousness. http://zero-point.tripod.com

MEDITATION MEDICINE: In the age of anxiety, we can all benefit by implimenting self-care and self-regulation into our lives.  Meditation is proven non-toxic method of creating profound relaxation and healing benefits. Toxic birth practices are robbing human evolution of the paranormal aspects of the birth and parenting process. I am not a childbirth expert, but I am a rebirth expert, and virtually everyone I've seen in my practice of experiential therapy immediately gravitates to trying to heal the wound of their conception, peri- and postnatal traumas. They run like a faultline through the character as an unhealing wound.  If they can be minimized at the point of origin and healed by healthful resonance before they create a groove in the mind decade after decade, we might find the harm reduction resulting in lower numbers of autism, ADHD, bonding and attachment disorders. http://calmbirth.org

PSIENCE: Can we find radical empirical confirmation of Mystery? Perhaps not, but we can still seek integration, contemporize our metaphors and liberate knowledge from the branding of religions and corporations. The human genome is in private corporate ownership; our minds are massaged by corporate media propaganda. http://psiona.50megs.com/

CONSCIOUS EVOLUTION: Evil has been defined as misapplied force and form. Religions have been used to justify personal and cultural agendas, honoring some beliefs over others. What is the nature of evolving spirituality or meta-spirituality that might resolve this global issue? Conscious Evolution means becoming more fully human, participating in an integrative way with [higher] Self, others and world. We all participate in the evolution of consciousness, whether our transformations are conscious or unconscious. Conscious Evolution is the ethical, philosophical, intentional governance of human change and cultural engineering. We can each conduct ourselves compassionately with creative intent and spiritual responsibility for the health and unfolding of human progress and survival technology. The post-metaphysical desire is to contribute to the spiritual fulfillment of all people. The needs of the many resonate with the needs of the one. The revelation will not be televised, but it might come to youtube.


ART AS META-SYN: Art can be therapeutic, both in the process of creation and for the viewer who reacts from personal associations. Art bares the soul, and provides a container for unbridled self-expression. High synergy is a differentiating characteristic of the nonagressive and secure. Beyond synergy is negentropy, the flow of creative connection with Source. Symbolic art has both an emotional and cognitive content. Metaphysical art draws on the multicultural iconography, not only of the globe, but of the Beyond. At its best it embodies and reveal the indomitable human Spirit. Any therapist knows that the stories they hear from most of their clients fall into very few, quite typical tales. What we need are bigger stories to guide us in our complex world. We can enlarge our perspective from the individual to the global through “bigger stories”, such as those from our wisdom traditions. Mythopoesis means literally, "myth-making," the natural expression of the visionary wisdom inborn to the human species (Lash, et al). It is a creative act of story-telling or narration, by which human beings "track" their experience and orient themselves to the cosmos at large. Metahistory is a guiding narrative for human potential, rather than an interpretation of events. The cross-cultural metastory of the human species is an overarching view of past, present, and future. It opens a path toward participation in a story that leads beyond history, a mythos to guide the species.

SACRED ACTIVISM: Our true work remains to know ourselves and express that from the deepest levels outward in pratice and compassionate service.We can identify, analyze and neutralize adversarial energies with reclaimed courageous voices. If we see the Big Picture, we can link information to action, like 2020 Vision. We must draw the line at our hearts, bending back toward soul and spirit, becoming more fully human. Self-defeating and self-fulfilling prophecies can shape the future or prevent it from happening. We have to claim our future and humanity by developing and consolidating (physical, emotional, mental and spiritual) human survival technologies, by romancing the Philosopher's Stone. Sacred Activism is service in motion. If you have a value, stand up for it. Let's build better humans from the primordial field upwards. There is only one race, and it's the human race and we are losing it. For sustainability, we have to begin at the primal foundation of our Being, creating and allowing more compassionate human beings who recognize that the only sustainability possible for ourselves is to realize at the deepest level that WE ARE ALL IN IT TOGETHER. And any hallucination that creates separation, including prejudice and degradation, manifests loss of opportunities for us all to realize our spiritual genius. This has been the stumbling block for the race of mankind as a dynamic whole. We are indeed, ONE.


My Other Sites - by Subject Matter


















Spiritual Physics

Virtual Physics

My Zero Point

Photonic Human

EmBEDded Holograms

Psiona Parapsychology

Beyond MK Ultra - MRU

Climate 2012


Paramedia Ecology


Iona Brainstorm

Electronic Voice Phenomena

Espionage Central

Occult Espionage

Mind Control for Dummies

Bacon is Shakespeare

Triangle Book of St. Germain


Conscious Alchemy


Chaosophy Journal

The Modern Alchemist Book

Temple of Living Light

Emergent Healing

Edgeworks Hypnosis

Mythic Living

Harmonic Continuum

Synergetic Qabala

Magical Perfume Book

Energy Psychology

Dreamhealing Book

Spiritual Alchemy SuperPortal


We all know that art is not the truth, art is a lie that makes us realize the truth. ~Picasso

IONATOPIA 2007: ionatopia.50megs.com
IONASPHERE 2000: ionamiller.org

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Espionage Central

Occult Espionage

Mind Control for Dummies

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